What has changed is our sense of text as fixed, not fluid, as something solid to which we can return again and again. That’s the influence of the Web, of course, where story has no end and no beginning, and readers are not passive but play a determining role. This is scary to a certain way of thinking, but I want to look in the opposite direction, to suggest that what is more compelling is how this opens up the possibilities.
What has changed is our sense of text as fixed, not fluid, as something solid to which we can return again and again. That’s the influence of the Web, of course, where story has no end and no beginning, and readers are not passive but play a determining role. This is scary to a certain way of thinking, but I want to look in the opposite direction, to suggest that what is more compelling is how this opens up the possibilities.
After a decade of fear, we’re connected to writing in new ways — latimes.com
“il fatto è che mi sembra di guardare sempre solo la superficie delle cose o delle persone.
sarà che ho paura di scoprire che c'è solo quella.”
sarà che ho paura di scoprire che c'è solo quella.”
maximilien roccam de pasteur, parolàme